[1] | Yousefian Kenari, M.J. and Parastoo Mohebi (2011); Dramaturgy and Performance (trans.), by: Cathy Turner and Synne Behrndt (2008), Tehran: Afraz Publisher Company. |
[2] | Yousefian Kenari, M.J. (Shahrooz) [2008]; Filmosophy: Film as a Thinking Device (trans.), by: Daniel Frampton (2006), Mashhad: Jahad-E-Daneshgahi Publishers. |
[3] | Yousefian Kenari, M.J. (20111); "An Analysis of Grice's Conversational Indicators in Akbar Radi's Play ( A Melody of Rainy City)", proceedings of Language and Iranian Drama, Tehran: Research Center of Roudaki's Hall. |
[4] | Yousefian Kenari, M.J. (2011); "An Analysis of Unaccomplished Intercultural Relations in Tickets (2005) Trilogy (Ulmi, Kiarostami and Loach)", Tehran: University of Arts, Name-ye-Honar-ha ye Namayeshi Quarterly, New sequentials, No.2, spring 2011. |
[5] | Yousefian Kenari, M.J. (2011); "An Analysis of Deconstructive Modes of Language in Artaud and Becketts' Theatres", Tehran: University of Arts, Name-ye-Honar ha ye Namayeshi Quarterly, New sequentials, No.3, summer 2011. |
[6] | Yousefian Kenari, M.J. and Mostafa Mokhtabad (2010); " Kiaraostami's Unfinished Cinema and it's Postmodern Reflections", International Journal of Humanities (IJH), Vol. 17 (2): (23-37). |
[7] | Yousefian Kenari, M.J. , Mostafaa Mokhtabad and Mohammad Zeymaraan(2009); "Iranian National Cinema and the Rage of Globalization", Honar-Ha-ye-Ziba; A Journal of University of Tehran, No.38, Autumn 2009, pp15-25. |
[8] | Yousefian Kenari, M.J. and Mahmoud Taavousi (2009); " A New Exploration on the Antique Origins of Gilgamesh Epic, Journal ofPersian Language and Literature Research, University of Isfahan, Faculty of Humanities, No.4, Winter 2009, pp 1-18. |
[9] | Yousefian Kenari, M.J. (Shahrooz) and M.B. Ghahremani (2007), "Interactive Drama: An aesthetic Approach to Logics of Drama and Computer Relationships", Honar-Ha-Ye Ziba, Academic Journal of Tehran University, No.31, autumn 2007, pp 101-111. |
[10] | Yousefian Kenari, M.J. (2007); " Meta Semiotics of Iranian Ta'ziyeh", Ketab-e-Mah-e-Honar, No. 111-112, December 2007, pp44-52. |
[11] | Yousefian Kenari, M.J. (2007); "Structure as a Difference: A Critical View on Major Differences of Long & Short Film Narratives", indoor Magazine of Iranian Youth Cinema Society, winter release, pp60-61. |
[12] | Yousefian Kenari, M.J. and M.R. Pour Jafar (2006); "Stdying Dramatic Aspects of Turkish Sufi Rituals and their Impacts from Mevlana's Menevi", Honar-Ha-Ye Ziba, Academic Journal of Tehran University, No.28, winter 2006, pp 115-127. |
[13] | Yousefian Kenari, M.J.(Shahrooz) (2006); " Abstract Painting: A Discussion on Structuralist Readings of Representation ", Khiyal; The Quarterly, Periodical of the Iranian Academy of the Arts, No. 18, summer 2006, pp96-110. |
[14] | Yousefian Kenari, M.J. (2005); "Umberto Eco: A Critical Approach to Performative Signs and Significations", Barg-E-Farhang, A Cultural Quarterly of Tehran University, 6th year, No.17, spring 2005, pp 78-82. |
[15] | Yousefian Kenari, M.J.(Shahrooz) (2006); " Verfremedungseffekt: An Episteme of Modern Theatre", Khiyal; The Quarterly, Periodical of the Iranian Academy of the Arts, No. 14, summer 2005, pp90-114. |
[16] | Yousefian Kenari, M.J. (2005); "of Lonesome Stars and Broken Hearts: Trends in Purto Rican Women's Film/Video Making", trans., by: Frances Negron-Montaner, Farabi Quarterly; Special Issue on Latin American Cinema and Literature, Vol. (15), No.2, Sequential No. 58, winter 2005, pp 90-114. |
[17] | Yousefian Kenari, M.J. (2005); "The Legacy of New Latin American Cinema: Introduction to the Sandista Documentary Cinema", trans., by: John Ramirez, Farabi Quarterly; Special Issue on Latin American Cinema and Literature, Vol. (15), No.2, Sequential No. 58, winter 2005, pp 211-216. |
[18] | Yousefian Kenari, M.J. (Shahrooz)(2005); "Ta'ziyeh: The Climax of Iranian Performance", Khiyal; The Quarterly, Periodical of the Iranian Academy of the Arts, No. 12, summer 2005, pp 66-84. |
[19] | Yousefian Kenari, M.J. (Shahrooz)(2004); "Performance Art and American Avant-gard Theatre", trans., by: Arnold Aronson (2002), Newsletter of Fajr International Theatre Festival, No 4 & 5, feburary 2004, pp29-30 & 15-16. |
[20] | Yousefian Kenari, M.J. (Shahrooz)(2004); "Today's Cinema: A National or Global Challenge?", Newsletter of International Conference on Art and Globalization, winter 2004, pp 6-9. |
[21] | Yousefian Kenari, M.J. (Shahrooz)(2003); "In Glory of Godard", Fanous-E-Khiyal Magazine, Mashhad: Jahad-E-Daneshgahi Publications, No.2, june 2003, pp 30-31. |
[22] | Yousefian Kenari, M.J. (Shahrooz)(2002); "An Approach to Image System; Decoupage as a System of Synthesis or Analysis", Fanous-E-Khiyal Magazine, Mashhad: Jahad-E-Daneshgahi Publications, No.2, February 2002, pp28-29. |
[23] | An Interview: Yousefian Kenari, M.J. (2009); "Post Colonial Theatre", Namayesh Monthly, Vol. 11, No. 117-118, june 2009, p 30. |